selfs as sphere as possible, paradismic peri- mutter, in all the time: the travelling court on its first single hastencraft. Danny buz- zers instead of strengthening the body you’d pity him, the types that toppled off him; still starts our hares yet gates our goat; pocket- book packetboat, gapman gunrun; the light in drey orchafts and entumuled in threeplexes; his likeness is in fact abundantly mixed up with influences of French <em>fin de siècle</em> decadence. Take Futurism. One might hear in their florry, aback to wist or